CRAIG CASTLEMAN LOS GRAFFITI PDF

Getting Up: Subway Graffitti in New York [Craig Castleman] on * FREE* shipping on qualifying offers. Getting Up is the term used by graffiti artists to. Los Grafitti [Craig Castleman, Pilar Vazquez Alvarez] on *FREE* shipping on qualifying offers. : List of craig castleman los graffiti pdf book. Download the craig castleman los graffiti pdf book in PDF file format for free at

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Craig Castleman Los Graffiti Pdf PDF Download – Free E-Book Download

I really like the connections she makes between writers and artists of the past and writers and artists of the present. Taken from this point of view: I ccraig to question and explore modes of curriculum theorizing by genuinely valuing the insights and perspectives of youth of various races, classes, and genders. This is frustrating, though with any inquiry project it is also messy and extremely disorganized in the beginning stages.

Anyway, the picture I referred castlejan earlier has begun to come crakg focus little by little, though there continue to be entire days spent veering off into minimally related areas that enhance the blur. I found interviews though there is still more to learn in this area.

Well I was wrong to some degree. To begin to understand the world of graffiti and its overall effects on those of us who live in cities, towns, rural areas or suburbia, it is necessary to look at its socio-cultural, political and historical influences.

I found a lot of strongly worded blogs that encourage catching writers in the act: Many of the participants were unhappy, even angry about their experiences in school, yet they were highly motivated to achieve outside of it, within a street culture. Anxiety sets in when there is this expectation to rigidly stick to an idea, though with this series of starts and stops in my research process I began to wonder why people saw hip-hop graffiti writers as educationally disadvantaged or any other stereotype associated with popular culture.

I think caatleman first amendment needs work but this is not the focus of my research, lest I veer off into another gray area. I was interested to observe how their knowledge was developed, used, and passed onto their communities and to novice writers. Education theory in the North American Continent has been stuck in bureaucracy for years, barely able to pay its teachers.

Theories of Literacy

In fact it has often been the complaint of teachers and parents in primary grades that the arts are the first to be cut in times of budget crises. Her aim is to call attention to the issues as they are, with the prospect of lessening the paranoia that surrounds the graffiti-gang persona 4.

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Graffiti and Gangs in L. My response to this is that, with any culture, there is a range of identities involved and there is bound to be violence when competition enters the scene. This may seem like a strong condemnation to business and homeowners casyleman livelihoods have been affected by the L.

Interesting things are often difficult to find though the beauty of curiosity is that persistence eventually pays off.

Hip-hop Graffiti & Perspective | Theories of Literacy

I wanted to know where the idea that hip-hop graffiti writers as criminals originated, so I dug deeper. I am merely an observer with a keen sense of fascination for this writing and art form. There are plenty of reasons to think this is what I am saying though it is not accurate. This may promote the idea among educators to pursue the interests often obsessions of communities of marginalized students in a way that is not condescending and patronizing viii.

It has been around a long time. I remember heading out on a morning run a few years back in San Antonio, Texas, and purposefully avoiding the graffiti-laden areas.

I have lived in many places and have seen graffiti in pretty rough areas. My first thought when I saw these paintings, text, or tags was that they were just gang-related. I like the idea of examining an ideology and picking out its contradictions. As a result I began to wonder about two things that were related to this idea of graffiti as a punishable crime and its relation to the literacy crisis.

But first I would like to comment on my thinking as it relates to my own perspective of what I thought graffiti was, before the journey. The idea that graffiti is a crime that uses justification like public versus private space cannot possibly also use literacy as well. Mainstream media and schools tend to represent peer influence and resistance as negative.

I was not alone in this thought at the time and many people continue to feel as I once did about it. Some would argue that the wording and profile has changed because hip-hop graffiti writers are now being identified as white, middle-class kids with too much time on their hands.

University of Chicago, Here is one of the sites I found interesting that talks about it: He is very clear to emphasize that in contemporary criminology the blame has now loz shifted somewhat to the state — not psychological defect — for failing these youth. Art Gallery of Calgary Catalogue.

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I am not sure if these will ever not be offensive to me, though I am steadfast as the observer, not the judge. This is what I mean by two unfriendly neighbors. There is something to be said about my choice of keywords graffit genre.

I still thought of graffiti as sloppily spray-painted slogans that included racist, sexist, quasi-political, and pornographic words and images…graffiti to me was vandalism, no question about it, and its social value was negligible… viii To this: Phillips talks about there being very little information on this topic.

With that said, I would like to talk loe what I have learned and where I find one particular area of focus very fascinating and worthy of time and study.

This is not to be confused with references to prehistoric graffiti. I thought this was funny so I posted it. What strikes me most with her use of artistic expression and modes of curriculum theorizing is the fact that two polar opposites are expected to blend and she knows this is what is inherent in the art world Working cstleman novels, newspaper articles, and arguments on both sides of the proverbial coin I still had only small glimpses of the bigger picture.

When I first began looking at graffiti through the literary fiction and non-fiction lens it occurred to me that very little has been written on its connection to youth and literacy. I found this book on criminology and control by David Garland that talked about post-WWII shaped public policy and opinion.

Craig Castleman Los Graffiti Pdf PDF Download

Graftiti Linguistics and Literacies: She has a lot to say about graffiti as it relates to educational pedagogy, which I plan to address later. When she first started her research way back in the s, she discovered purposefully written tar inscriptions by Caltrans workers on highway repair projects to an inscription carved into a wooden railing at St.

My thoughts were that a critical analysis could be strengthened using fictional characters maybe? He can also be seen painting over graffiti on this site. Craig Castleman talks about early writing gangs in the 70s [6] that were very different from fighting gangs Getting Up.

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